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Of Mice and Men

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❶The central struggle that moves the plot forward.

Literary Devices in Of Mice and Men

How to Write Literary Analysis
by John Steinbeck
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Comments 0 Please log in to add your comment. Setting — time and place of a story. California during the s Great Depression. The narrator and the author of the work of literature are not the same person. The arrangement of the events in a story, including the sequence in which they are told, the relative emphasis they are given, and the causal connections between events. The perspective that a narrative takes toward the events it describes. The location of a narrative in time and space.

Setting creates mood or atmosphere. A secondary plot that is of less importance to the overall story but may serve as a point of contrast or comparison to the main plot.

An object, character, figure, or color that is used to represent an abstract idea or concept. Unlike an emblem, a symbol may have different meanings in different contexts.

The way the words in a piece of writing are put together to form lines, phrases, or clauses; the basic structure of a piece of writing. An author communicates voice through tone, diction, and syntax. Of Mice and Men by: Themes Motifs Symbols Key Facts. Take a deep breath and start by asking yourself these questions: Frankenstein and his monster alike? Elements of Story These are the whats of the work—what happens, where it happens, and to whom it happens.

All of the events and actions of the work. The people who act and are acted upon in a literary work. The main character of a work is known as the protagonist.

The central tension in the work. When and where the work takes place. Elements of setting include location, time period, time of day, weather, social atmosphere, and economic conditions. The person telling the story. The narrator may straightforwardly report what happens, convey the subjective opinions and perceptions of one or more characters, or provide commentary and opinion in his or her own voice. The main ideas or messages of the work—usually abstract ideas about people, society, or life in general.

A work may have many themes, which may be in tension with one another. Elements of Style These are the hows —how the characters speak, how the story is constructed, and how language is used throughout the work. How the parts of the work are assembled. Some novels are narrated in a linear, chronological fashion, while others skip around in time. Some plays follow a traditional three-or five-act structure, while others are a series of loosely connected scenes.

Some authors deliberately leave gaps in their works, leaving readers to puzzle out the missing information. The perspective from which a story is told. In first-person point of view , the narrator involves him or herself in the story.

In third-person point of view , the narrator does not participate in the story. Omniscient narrators see and know all: Remember that the narrator and the author are not the same thing! Whether a character uses dry, clinical language or flowery prose with lots of exclamation points can tell you a lot about his or her attitude and personality. Word order and sentence construction. Ernest Hemingway, for example, is known for writing in very short, straightforward sentences, while James Joyce characteristically wrote in long, incredibly complicated lines.

The mood or feeling of the text. Diction and syntax often contribute to the tone of a work. A novel written in short, clipped sentences that use small, simple words might feel brusque, cold, or matter-of-fact. Language that appeals to the senses, representing things that can be seen, smelled, heard, tasted, or touched.

Language that is not meant to be interpreted literally. A good thesis will be: Provable through textual evidence. A really strong thesis will argue for a reading of the text that is not immediately apparent. How does the monster tell us so much about the human condition?

Good Thesis Statements Question: Develop and Organize Arguments The reasons and examples that support your thesis will form the middle paragraphs of your essay. Trace Choose an image—for example, birds, knives, or eyes—and trace that image throughout Macbeth.

Debate Is the society depicted in good for its citizens? Write the Introduction Your introduction sets up the entire essay. However long it is, your introduction needs to: Provide any necessary context. Your introduction should situate the reader and let him or her know what to expect. What book are you discussing? What topic will you be addressing?

Why is this topic important, and why is your particular position on the topic noteworthy? Literary essays make unexpected connections and reveal less-than-obvious truths.

This usually happens at or very near the end of your introduction. Indicate the shape of the essay to come. Your introduction should not: Beware of the two killer words in literary analysis: Open with any grandiose assertions. It actually sounds pretty amateurish. Wildly praise the work. Another typical mistake student writers make is extolling the work or author.

Keep your introduction streamlined and to the point. The organization of this middle section of your essay will largely be determined by the argumentative strategy you use, but no matter how you arrange your thoughts, your body paragraphs need to do the following: Begin with a strong topic sentence. Topic sentences are like signs on a highway: A good topic sentence not only alerts readers to what issue will be discussed in the following paragraph but also gives them a sense of what argument will be made about that issue.

Fully and completely develop a single thought. Body paragraphs are like bricks: Make sure you have really proven your point before moving on to the next one. Good literary essay writers know that each paragraph must be clearly and strongly linked to the material around it. Think of each paragraph as a response to the one that precedes it. A good conclusion will: Do more than simply restate the thesis. Synthesize the arguments, not summarize them.

In your introduction, you made a case for why your topic and position are important.

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Preliminary Literary terms for Of Mice and Men All page number references are from the Penguin Books edition. Personification—Giving human traits (qualities, feelings, .

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Of Mice and Men - Literary Terms study guide by meller33 includes 17 questions covering vocabulary, terms and more. Quizlet flashcards, activities and .

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Start studying Of Mice and Men Literary Terms (All). Learn vocabulary, terms, and more with flashcards, games, and other study tools. Literary Devices in Of Mice and Men Symbolism, Imagery, Allegory While Of Mice and Men occurs in a very specific time and place, each of the characters can be thought of as symbolizing broader populations.

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Of Mice and Men Literary Terms Chapter 1, pages to indicate or suggest without being stated. Imply- Infer – to guess, speculate based on evidence. Exposition- the first part of the story/plot. “Both George and Lenny change a great deal in Of Mice and Men ” is a weak thesis because it’s obvious. A really strong thesis will argue for a reading of the text that is not immediately apparent. Specific. “Dr. Glossary of Literary Terms. antagonist.